Every day with your child was mother’s day. Every day you held them, fed them, scolded them, sang them to sleep, wiped their tears, changed their diapers, washed their clothes, agonized with them about their break-ups, celebrated their victories, supported their achievements, gave solace in their disappointments. Every day. And now no day is mother’s day. There is nothing more you can do for them, say to them, give them. No more hugs or advice. No more forgiveness for short-tempered outbursts, no more apologies for ill-thought-out judgments. Nothing. Mother’s Day is social convention. Mother’s Day is a lie. The emptiness is every day not just once a year.
I weep with you; I mourn with you. There are no useful words. Just a gentle suggestion: don’t stay by yourself on Mother’s Day. Allow someone else to share your pain. And if you can’t find someone to do that, then find a way of celebrating someone else’s day. Just don’t be alone with your sadness and loss.
Remember: You were a mother, even for a little while. You had the miracle of life in your body, in your arms, in your daily life. That was a great gift, a grace, undeserved. A hand was placed on your chest and that touch entered your heart as no other touch can. A child knew you as his or her mother. Knew that safety, that acceptance, that bountiful love. You did that. You gave that. That was precious. And those years, or months or even moments are yours to remember and treasure.
Posted in anniversaries, grief, loss, Mother's Day, pain, Parenting
Tagged death, family, grief, Mothers, pain, sadness
These past few weeks it feels as if the tsnumai is winning. Each day I feel as if it is pulling me down and I am struggling more and more for breath. I thought it would get easier after his anniversary passed, but then we moved towards his birthday and I realised it is on Mother’s Day this year: May 14th. I can’t seem to get past this. I want to write something for mothers who have lost children and who are facing mother’s day with that pain. Maybe that will help.
Posted in anniversaries, depression, grief, losing a son, loss, Mother's Day, sadness
Tagged depression, family, grief, Mothers, pain, sadness
How do I process my grief?
Does suffering have any meaning?
Do we live in a random chaotic universe?
Is it time to re-evaluate my understanding of “God”?
This book is for anyone who has suffered a loss – of safety, of one’s home, of health, of a loved one or a relationship, or of one’s faith … and found themselves asking, “Why?” And then wondering, “Who am I asking?” and hoping they were not alone.
Posted in anger, anniversaries, depression, doubt, faith, God, Grace, grief, hope, letting go, losing a son, loss, meaning of life, Moving on, pain
Tagged anger, Anniversaries, cycles, death, depression, doubt, faith, God, Grace, Gratitude, grief, healing, hope, letting go, losing a son, Loss, meaning, mourning, moving on, pain, sorrow, suffering, suicide, surviving suicide
When will I stop listening for the gunshot on March 19? When will I be able to leave the house without asking myself, if I’d stayed home that day would he still be alive? If I’d just told him I love you that morning would it have been enough to tip the balance? Why did I hesitate that day when I so often added those words? When will I relinquish the magical thought that doing it differently this year would bring about a different outcome, and he’d re-emerge from his other dimension and join ours again? When will I be able to drive away from the house on March 19 without thinking I was causing his death over again, abandoning him again, complying with the script of history instead of fighting it, re-writing it, recreating it?
Like a late night re-run the morning passes and everything is old and familiar and predictable; I know the words and the actions, the schedule. And now he is heading to class. And now he is handing in his last paper. He’ll get an A. And now he’s returning home unexpectedly, instead of going to his on-campus job. And now he is gently taking down the family portrait from the kitchen wall and placing it in his back pack. He will be adding his gun to that bag soon. A gun we didn’t know he had, didn’t want to know. A gun he kept hidden from us but legal, documented, following all the rules of safety. And now he is driving to the lakefront and choosing his location. He will lie down on the levee in view of the water, out of site of the houses. He will listen to the water and the birds one last time. He will breathe in the smell of spring grass and dust, oyster shells and fish. He will turn his face to the sun and feel the warmth, closing his eyes to savor the last moments of life. Then he will turn his right shoulder towards the ground and with his right hand pressing his gun against his heart he will squeeze the trigger and muffle the shot with his body, not wanting anyone to see his wound if they walked by.
A neighbor will hear the shot and call her friend who lives across the street from us. I think someone just shot himself on the levee near my house. I’ve called the police. I wonder who it is. And soon afterwards our neighbor will see a car pull up in front of our house and two plain clothes policemen will walk up the path to our door. Mal will be doing the dishes. I will answer the door. Does Malcolm villarrubia live here? My husband or my son? Your son. When was the last time you saw your son? Do you have id? Mal it’s the police asking about Malcolm.
They’ll come in then and we’ll sit down at the kitchen table. Is Malcolm in trouble? Ma’am your son is dead…we found his body…
And the air will be sucked out of the room and someone will be screaming I don’t understand over and over but in a soft voice – the screaming going on inside her head. Then the script will take over and we will be actors in a drama we would never audition for, and cannot remember the words to. But somehow we will move from one scene to the next, lip syncing while someone speaks our lines for us and someone else rearranges the set. Now the funeral parlor, now the house again, and then the chapel at Jesuit and someone is lowered into the ground.
I wish the play were over and we could go back to normal but someone is asking me to move closer. I don’t want to move closer I don’t like burials. Is this someone we know well, everybody here looks familiar. And then there is a party at our house. Where’s Malcolm, he should be here if we’re having a party? Why is James in town shouldn’t he be at school? Then everyone leaves and the play seems to be over but no one has told us how to exit. We are left on stage with the empty theatre and echoes of the last scene. What do we do now? I don’t know. Do we sleep? How can we sleep? It’s not our life any more it’s a play. Do we exist between the scenes – an R and G question? Will someone enter soon and give us our cues? And the floorboards in the darkened theatre creak in sympathetic tones as the lights slowly dim.